“I’m not indifferent to it,” answered Joan. “I’m reckoning on it to help me.” “It is daring,” she admitted. “I must be prepared for opposition. But it had to be stated.”!

Mr. Sam Halliday she liked at once. He was a clean-shaven, square-jawed young man, with quiet eyes and a pleasant voice. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.

“I take myself as typical,” she continued. “When I was twenty I could have loved you. You were the type of man I did love.” “I don’t suppose it does: not directly,” answered Mrs. Denton. “But it helps them to establish their position and get a tighter hold upon the public. War does pay the newspaper in the long run. The daily newspaper lives on commotion, crime, lawlessness in general. If people no longer enjoyed reading about violence and bloodshed half their occupation, and that the most profitable half would be gone. It is the interest of the newspaper to keep alive the savage in human nature; and war affords the readiest means of doing this. You can’t do much to increase the number of gruesome murders and loathsome assaults, beyond giving all possible advertisement to them when they do occur. But you can preach war, and cover yourself with glory, as a patriot, at the same time.” “My third,” the Human Document corrected her. “After Eustace, I married Ivanoff. I say ‘married’ because I regard it as the holiest form of marriage. He had to return to his own country. There was a political movement on foot. He felt it his duty to go. I want you particularly to meet the boy. He will interest you.”